Sanford Biggers Subjective Cosmology
On view September 9, 2016 through January 1, 2017
Production still from the Sanford Biggers film, Shatter.
For his solo exhibition Subjective Cosmology, Sanford Biggers will create an immersive interactive experience throughout MOCAD, incorporating video installation, visual art objects, and new media. Imagined as an unseen world made visible, the exhibition gives physical form to hidden landscapes where the past, present, and future synergized into an atemporal experience. Subjective Cosmology can be seen as the link between his three—part film suiteShuffle, Shake, Shatter.
Shuffle, Shake, Shatter is an ambitious three-part film/video suite that explores the formation and dissolution of identity through the journey and actions of an un-named main character. With the completion of his journey, he will have also retraced the North Atlantic Slave Trade route, albeit abstractly, from Europe to the Americas and finally Africa. Throughout his journey he grapples with his identity to the point of crisis, or enlightenment, where he then transcends his notions of male and female, life and death and the corporeal versus the auratic. In Shatter, the protagonist transcends his corporeal existence, shape shifting into an auratic entity.
The installation will provide the backdrop for an exclusive new Moon Medicin performance. Moon Medicin is a multimedia concept band performing original compositions interspersed with re-imagined covers. The collective performs against a backdrop of curated sound effects and images of sci-fi, punk, sacred geometry, coded symbology, film noir, minstrels, world politics, and ceremonial dance. For this iteration of Moon Medicin, Biggers, the creative director, will collaborate with a rotating cast of musicians, designers, and performance artists based in Detroit.
This exhibition has been organized by the Museum of Contemporary Art Detroit and is curated by MOCAD’s Executive Director Elysia Borowy-Reeder. Born out of experimentation and a desire to create a new platform for engagement, this project and exhibition is supported by the Joyce Foundation and the NEA.