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MOCAD's exterior: Barry McGee, Untitled, 2008. Photo by Corine Vermeulen.


May 11-July 28, 2013



Mobile Homestead is a permanent art work by the late Mike Kelley located on the grounds of the Museum of Contemporary Art Detroit. It's both a public sculpture and a private, personal architecture – based on the artist's childhood home on Palmer Road in Westland, a neighborhood which primarily housed workers for the Big Three auto makers: Ford, Chrysler and General Motors.

To coincide with the opening of the homestead, MOCAD presents Goin' Home: Mike Kelley's Mobile Homestead Videos and Documentation inside Museum galleries. Kelley and Artangel produced three hour-long videos based on footage of the travels of the Mobile Homestead on Michigan Avenue, intercut with interviews with different people living and working on that major thoroughfare. The Mobile Homestead videos were screened at the Whitney Biennial in New York in 2012.

Mobile Homestead is commissioned by Artangel in association with MOCAD, LUMA Foundation and Mike Kelley Foundation for the Arts with the generous support of the Artangel International Circle. Community programs in Mobile Homestead are supported by the Robert Rauschenberg Foundation.

 

 


June 7 – July 28, 2013

 

(in)Habitation

Matt Kenyon, Spore

 

Curated by Gregory Tom and featuring the work of Jason Ferguson, Osman Khan and Matt Kenyon, (in)Habitation aims to consider (and reconsider) the concept of “domesticity". Ubiquitous elements of the home — for instance, a table and chairs, a houseplant or a simple beam — are altered or subverted by complex ideas about faith, the current mortgage crisis, globalization and even classic American representations of family fun. The sculptural works featured are both serious and playful. They engage through movement, flashing lights and the spectacular, but ultimately lead us to question our existing biases and assumptions about what the idea of “home” really means.

Jason J. Ferguson’s work reflects on the relationship between art, science and experience, juxtaposing seemingly unrelated subjects to create performance, video and sculptural work. Ferguson is an assistant professor in the Art Department of Eastern Michigan University, where he teaches sculpture and 3-D design.

Matt Kenyon is interested in the convergence of art, emerging technologies and popular culture. His recent works often feature wearable computing technologies or robotics to express a cultural critique. He is an associate professor in the Penny W. Stamps School of Art & Design at the University of Michigan, where he teaches physical computing, video and 3D animation.

Osman Khan’s constructed artifacts, interactive installations and site-specific interventions convey the way in which technology shapes our understanding of identity, communication and public space. Khan is an assistant professor at the Penny W. Stamps School of Art & Design at the University of Michigan, where he teaches computational media, sculpture and social practice.

 


Museum Tours
Please contact Katie McGowan, Curator of Education, at kmcgowan@mocadetroit.org to schedule a tour.

All MOCAD tours are free and open to the public.

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Thursday & Friday: 11AM - 8PM
closed Monday & Tuesday

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The Museum of Contemporary Art Detroit is a non-profit, tax-exempt organization supported through invaluable contributions from individuals and members. The Richard and Jane Manoogian Foundation provides leading support for the Museum of Contemporary Art Detroit since 2006. General operating support for MOCAD is generously provided by Fred A. and Barbara M. Erb Family Foundation, General Motors Foundation, The Kresge Foundation, Masco Corporation Foundation and The Taubman Foundation. Additional funding for programming and educational initiatives is provided by Edith S. Briskin/Shirley K. Schlafer Foundation. Valuable in-kind support is provided by Dykema. Museum of Contemporary Art Detroit is also supported, in part, by The Andy Warhol Foundation For the Arts, Robert Rauschenberg Foundation, Leveraging Investments in Creativity in partnership with the Ford Foundation, and ArtPlace, a collaboration of top national foundations, the National Endowment for the Arts and various federal agencies to accelerate creative placemaking across the U.S.